The Susan Jeffords’ chapter
“Terminal Masculinity: Men in the Early 19990s” discusses the relationship
between (white) male masculinity and individualism in the early 1990s. While written in 1994, Jeffords is really
only focusing the bulk of her argument on the shift in masculine representation
from the late ‘80s into 1991. Her chapter prioritizes the socio-political and
cultural context, specifically identifying some of the residual masculine
ideologies present during and after the Reagan era. The latter half of the
chapter examines masculinity and the white male body in the early 1990s using Terminator 2 as a specific example.
Jeffords argues that, the narrative of the film centers on “the reproduction of
masculinity” and demonstrates the shift from “hard body (of the ‘80s) to the
family man (156).” She uses fatherhood and individualism as themes/concepts to
push forward an argument about a reworking of masculinity.
While I understand what Jeffords is
attempting to argue, my issue with the chapter is that she seems to rush the
conclusion without effectively tying the other aspects of her argument
together. She ends the chapter on a rather ambiguous but open-ended tone,
possibly as a result of being written prior to the end of the 1990s. I’m
curious to note if we were to examine popular films released at the end of the
‘90s, would Jeffords’ claims still hold true? If we consider Jeffords’ claim
that masculinity in this period reproduces itself through inversion rather than
duplication, what are we to make of her positioning of Schwarzenegger’s
shifting masculinity in relation to the role he later employed as governor of
California or his more recent celebrity endorsements of the mobile game Mobile
Strike (in which he embodies a similar Terminator masculinity)? Granted Jefford
is discussing a specific political moment, however my personal experience with
Schwarzenegger begins after 1991 and I could not help but try to understand his
shifting identities politically from 1991 onward.
This is an example of the Arnold we now see in popular discourse...I can't seem to get away from these commercials.
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