I really like the way in
which Ann Cvetokovich related Madonna to drag queens. I had never thought of
comparing Madonna to drag queens, so I was fascinated to see how similar they
are to each other in the way that they both perform a spectacle of femininity
and “open up a distinction between being a woman and performing as a woman” (Cvetokovich,
157) as they imitate female performers instead of real women. The way in which
the excess of femininity in Madonna’s performance reveals how gender is a
constructed artifice is also very relevant to drag queens. With Drag,
characteristics of femininity are so emphasized and exaggerated – especially in
the makeup –, that it exposes the constructedness
of femininity.
Bell Hooks’ article, however,
brought my attention to the issue of lack of criticism. In the article, she
discusses how everyone criticized the way Madonna tapped into religion and how even though everyone noticed
her use of race and blackness, specifically in the “Like a Prayer” music video,
no one really criticized/analyzed Madonna’s use/appropriation of race. Hooks
also asks if Madonna was really progressive in relation to gay men, given that
“she insists on primarily representing gays as in some way emotionally
handicapped or defective” (164).
Reading these questions made
me go back to Drag and ask similar questions. The same incident of people
praising some aspects of Madonna and not questioning others is similar to what
I see happening with Rupaul’s Drag Race. With each season, the show becomes
more and more popular, more and more a behavior influencer among gay men. In
the show’s first seasons, I could see that it was shaped around gay culture as
a way to establish its “brand”. However, in the latest seasons, as the show is
more popular, the roles have switched. Rupaul’s Drag Race is now constructing
and influencing gay culture more than being shaped by it. As its audience is
more and more influenced and interpellated by the show, there is less
questioning and criticizing around Drag Race.
There are a few blog posts on
the Internet questioning how stereotypes of race and ethnicity are appropriated
in the show, but they never get a lot of attention. I have also seen a few
comments about Drag lingo being offensive towards women, but they also don’t
get a lot of attention as the show is so well protected by its huge audience of
gay men supporting this lingo.
Is it acceptable that
Rupaul’s audience gets away rudeness and name calling by naming it shade and “reading”
others? As Queens are praised for “serving looks”, is it really ok to call them
fishy? What is that saying about women and male superiority? That definitely
doesn’t smell good…
I tend to be fairly critical of RuPaul's drag race since I sometimes feel that the performance of drag is mocking femininity by presenting a stereotyped version of it. I think one issue with the concept of fishiness is that it implies that the drag queen actually appears to be a woman, which gets at the complicated dynamics of gender identity and presentation. Clearly a fishy drag queen is quite different than a passable trans women, but I am not sure the two are always differentiated in the minds of others. I do think drag provides a space to explore gender, but I am not sure how subversive this truly is when it consists of men adopting stereotypical aspects of femininity that often are perpetuated by a patriarchal system that these men benefit from in some capacity. The ability to take off these costumes highlights unequal power dynamics when it comes to gender presentation.
ReplyDelete